Sunday, October 21, 2012


SELECTED SHORT STORIES



     European short stories 

      This is a selection of one of the most representative works of fiction of european authors. 

          

                                                              


                                                                             OYSTERS 


    By Anton Chekhov, 1884. 



I NEED no great effort of memory to recall, in every detail, the rainy autumn evening when I stood with my father in one of the more frequented streets of Moscow, and felt that I was gradually being overcome by a strange illness. I had no pain at all, but my legs were giving way under me, the words stuck in my throat, my head slipped weakly on one side . . . It seemed as though, in a moment, I must fall down and lose consciousness.

If I had been taken into a hospital at that minute, the doctors would have had to write over my bed: Fames, a disease which is not in the manuals of medicine.

Beside me on the pavement stood my father in a shabby summer overcoat and a serge cap, from which a bit of white wadding was sticking out. On his feet he had big heavy goloshes. Afraid, vain man, that people would see that his feet were bare under his goloshes, he had drawn the tops of some old boots up round the calves of his legs.

This poor, foolish, queer creature, whom I loved the more warmly the more ragged and dirty his smart summer overcoat became, had come to Moscow, five months before, to look for a job as copying-clerk. For those five months he had been trudging about Moscow looking for work, and it was only on that day that he had brought himself to go into the street to beg for alms.

Before us was a big house of three storeys, adorned with a blue signboard with the word "Restaurant" on it. My head was drooping feebly backwards and on one side, and I could not help looking upwards at the lighted windows of the restaurant. Human figures were flitting about at the windows. I could see the right side of the orchestrion, two oleographs, hanging lamps . . . . Staring into one window, I saw a patch of white. The patch was motionless, and its rectangular outlines stood out sharply against the dark, brown background. I looked intently and made out of the patch a white placard on the wall. Something was written on it, but what it was, I could not see. . .




For half an hour I kept my eyes on the placard. Its white attracted my eyes, and, as it were, hypnotised my brain. I tried to read it, but my efforts were in vain.

At last the strange disease got the upper hand.

The rumble of the carriages began to seem like thunder, in the stench of the street I distinguished a thousand smells. The restaurant lights and the lamps dazzled my eyes like lightning. My five senses were overstrained and sensitive beyond the normal. I began to see what I had not seen before.

"Oysters . . ." I made out on the placard.

A strange word! I had lived in the world eight years and three months, but had never come across that word. What did it mean? Surely it was not the name of the restaurant-keeper? But signboards with names on them always hang outside, not on the walls indoors!

"Papa, what does 'oysters' mean?" I asked in a husky voice, making an effort to turn my face towards my father.

My father did not hear. He was keeping a watch on the movements of the crowd, and following every passer-by with his eyes. . . . From his eyes I saw that he wanted to say something to the passers-by, but the fatal word hung like a heavy weight on his trembling lips and could not be flung off. He even took a step after one passer-by and touched him on the sleeve, but when he turned round, he said, "I beg your pardon," was overcome with confusion, and staggered back.

"Papa, what does 'oysters' mean?" I repeated.

"It is an animal . . . that lives in the sea."

I instantly pictured to myself this unknown marine animal. . . . I thought it must be something midway between a fish and a crab. As it was from the sea they made of it, of course, a very nice hot fish soup with savoury pepper and laurel leaves, or broth with vinegar and fricassee of fish and cabbage, or crayfish sauce, or served it cold with horse-radish. . . . I vividly imagined it being brought from the market, quickly cleaned, quickly put in the pot, quickly, quickly, for everyone was hungry . . . awfully hungry! From the kitchen rose the smell of hot fish and crayfish soup.

I felt that this smell was tickling my palate and nostrils, that it was gradually taking possession of my whole body. . . . The restaurant, my father, the white placard, my sleeves were all smelling of it, smelling so strongly that I began to chew. I moved my jaws and swallowed as though I really had a piece of this marine animal in my mouth . . .

My legs gave way from the blissful sensation I was feeling, and I clutched at my father's arm to keep myself from falling, and leant against his wet summer overcoat. My father was trembling and shivering. He was cold . . .

"Papa, are oysters a Lenten dish?" I asked.

"They are eaten alive . . . " said my father. "They are in shells like tortoises, but . . . in two halves."

The delicious smell instantly left off affecting me, and the illusion vanished. . . . Now I understood it all!

"How nasty," I whispered, "how nasty!"

So that's what "oysters" meant! I imagined to myself a creature like a frog. A frog sitting in a shell, peeping out from it with big, glittering eyes, and moving its revolting jaws. I imagined this creature in a shell with claws, glittering eyes, and a slimy skin, being brought from the market. . . . The children would all hide while the cook, frowning with an air of disgust, would take the creature by its claw, put it on a plate, and carry it into the dining-room. The grown-ups would take it and eat it, eat it alive with its eyes, its teeth, its legs! While it squeaked and tried to bite their lips. . . .

I frowned, but . . . but why did my teeth move as though I were munching? The creature was loathsome, disgusting, terrible, but I ate it, ate it greedily, afraid of distinguishing its taste or smell. As soon as I had eaten one, I saw the glittering eyes of a second, a third . . . I ate them too. . . . At last I ate the table-napkin, the plate, my father's goloshes, the white placard . . . I ate everything that caught my eye, because I felt that nothing but eating would take away my illness. The oysters had a terrible look in their eyes and were loathsome. I shuddered at the thought of them, but I wanted to eat! To eat!

"Oysters! Give me some oysters!" was the cry that broke from me and I stretched out my hand.

"Help us, gentlemen!" I heard at that moment my father say, in a hollow and shaking voice. "I am ashamed to ask but -- my God! -- I can bear no more!"

"Oysters!" I cried, pulling my father by the skirts of his coat.

"Do you mean to say you eat oysters? A little chap like you!" I heard laughter close to me.

Two gentlemen in top hats were standing before us, looking into my face and laughing.

"Do you really eat oysters, youngster? That's interesting! How do you eat them?"

I remember that a strong hand dragged me into the lighted restaurant. A minute later there was a crowd round me, watching me with curiosity and amusement. I sat at a table and ate something slimy, salt with a flavour of dampness and mouldiness. I ate greedily without chewing, without looking and trying to discover what I was eating. I fancied that if I opened my eyes I should see glittering eyes, claws, and sharp teeth.

All at once I began biting something hard, there was a sound of a scrunching.

"Ha, ha! He is eating the shells," laughed the crowd. "Little silly, do you suppose you can eat that?"

After that I remember a terrible thirst. I was lying in my bed, and could not sleep for heartburn and the strange taste in my parched mouth. My father was walking up and down, gesticulating with his hands.

"I believe I have caught cold," he was muttering. "I've a feeling in my head as though someone were sitting on it. . . . Perhaps it is because I have not . . . er . . . eaten anything to-day. . . . I really am a queer, stupid creature. . . . I saw those gentlemen pay ten roubles for the oysters. Why didn't I go up to them and ask them . . . to lend me something? They would have given something."

Towards morning, I fell asleep and dreamt of a frog sitting in a shell, moving its eyes. At midday I was awakened by thirst, and looked for my father: he was still walking up and down and gesticulating.





                                                                  A MOTHER OF MONSTERS  


    By Guy de Maupassant, 1883.  


I recalled this horrible story, the events of which occurred long ago, and this horrible woman, the other day at a fashionable seaside resort, where I saw on the beach a well-known young, elegant and charming Parisienne, adored and respected by everyone.





I had been invited by a friend to pay him a visit in a little provincial town. He took me about in all directions to do the honors of the place, showed me noted scenes, chateaux, industries, ruins. He pointed out monuments, churches, old carved doorways, enormous or distorted trees, the oak of St. Andrew, and the yew tree of Roqueboise.

When I had exhausted my admiration and enthusiasm over all the sights, my friend said with a distressed expression on his face, that there was nothing left to look at. I breathed freely. I would now be able to rest under the shade of the trees. But, all at once, he uttered an exclamation:

"Oh, yes! We have the 'Mother of Monsters'; I must take you to see her."

"Who is that, the 'Mother of Monsters'?" I asked.

"She is an abominable woman," he replied, "a regular demon, a being who voluntarily brings into the world deformed, hideous, frightful children, monstrosities, in fact, and then sells them to showmen who exhibit such things.

"These exploiters of freaks come from time to time to find out if she has any fresh monstrosity, and if it meets with their approval they carry it away with them, paying the mother a compensation.

"She has eleven of this description. She is rich.

"You think I am joking, romancing, exaggerating. No, my friend; I am telling you the truth, the exact truth.

"Let us go and see this woman. Then I will tell you her history."

He took me into one of the suburbs. The woman lived in a pretty little house by the side of the road. It was attractive and well kept. The garden was filled with fragrant flowers. One might have supposed it to be the residence of a retired lawyer.

A maid ushered us into a sort of little country parlor, and the wretch appeared. She was about forty. She was a tall, big woman with hard features, but well formed, vigorous and healthy, the true type of a robust peasant woman, half animal, and half woman.

She was aware of her reputation and received everyone with a humility that smacked of hatred.

"What do the gentlemen wish?" she asked.

"They tell me that your last child is just like an ordinary child, that he does not resemble his brothers at all," replied my friend. "I wanted to be sure of that. Is it true?"

She cast on us a malicious and furious look as she said:

"Oh, no, oh, no, my poor sir! He is perhaps even uglier than the rest. I have no luck, no luck!

"They are all like that, it is heartbreaking! How can the good God be so hard on a poor woman who is all alone in the world, how can He?" She spoke hurriedly, her eyes cast down, with a deprecating air as of a wild beast who is afraid. Her harsh voice became soft, and it seemed strange to hear those tearful falsetto tones issuing from that big, bony frame, of unusual strength and with coarse outlines, which seemed fitted for violent action, and made to utter howls like a wolf.

"We should like to see your little one," said my friend.

I fancied she colored up. I may have been deceived. After a few moments of silence, she said in a louder tone:

"What good will that do you?"

"Why do you not wish to show it to us?" replied my friend. "There are many people to whom you will show it; you know whom I mean."

She gave a start, and resuming her natural voice, and giving free play to her anger, she screamed:

"Was that why you came here? To insult me? Because my children are like animals, tell me? You shall not see him, no, no, you shall not see him! Go away, go away! I do not know why you all try to torment me like that."

She walked over toward us, her hands on her hips. At the brutal tone of her voice, a sort of moaning, or rather a mewing, the lamentable cry of an idiot, came from the adjoining room. I shivered to the marrow of my bones. We retreated before her.

"Take care, Devil," (they called her the Devil), said my friend, "take care; some day you will get yourself into trouble through this."

She began to tremble, beside herself with fury, shaking her fist and roaring:

"Be off with you! What will get me into trouble? Be off with you, miscreants!"

She was about to attack us, but we fled, saddened at what we had seen. When we got outside, my friend said:

"Well, you have seen her, what do you think of her?"

"Tell me the story of this brute," I replied.

And this is what he told me as we walked along the white high road, with ripe crops on either side of it which rippled like the sea in the light breeze that passed over them.

"This woman was one a servant on a farm. She was an honest girl, steady and economical. She was never known to have an admirer, and never suspected of any frailty. But she went astray, as so many do.

"She soon found herself in trouble, and was tortured with fear and shame. Wishing to conceal her misfortune, she bound her body tightly with a corset of her own invention, made of boards and cord. The more she developed, the more she bound herself with this instrument of torture, suffering martyrdom, but brave in her sorrow, not allowing anyone to see, or suspect, anything. She maimed the little unborn being, cramping it with that frightful corset, and made a monster of it. Its head was squeezed and elongated to a point, and its large eyes seemed popping out of its head. Its limbs, exaggeratedly long, and twisted like the stalk of a vine, terminated in fingers like the claws of a spider. Its trunk was tiny, and round as a nut.

"The child was born in an open field, and when the weeders saw it, they fled away, screaming, and the report spread that she had given birth to a demon. From that time on, she was called 'the Devil.'

"She was driven from the farm, and lived on charity, under a cloud. She brought up the monster, whom she hated with a savage hatred, and would have strangled, perhaps, if the priest had not threatened her with arrest.

"One day some travelling showmen heard about the frightful creature, and asked to see it, so that if it pleased them they might take it away. They were pleased, and counted out five hundred francs to the mother. At first, she had refused to let them see the little animal, as she was ashamed; but when she discovered it had a money value, and that these people were anxious to get it, she began to haggle with them, raising her price with all a peasant's persistence.

"She made them draw up a paper, in which they promised to pay her four hundred francs a year besides, as though they had taken this deformity into their employ.

"Incited by the greed of gain, she continued to produce these phenomena, so as to have an assured income like a bourgeoise.

"Some of them were long, some short, some like crabs-all bodies-others like lizards. Several died, and she was heartbroken.

"The law tried to interfere, but as they had no proof they let her continue to produce her freaks.

"She has at this moment eleven alive, and they bring in, on an average, counting good and bad years, from five to six thousand francs a year. One, alone, is not placed, the one she was unwilling to show us. But she will not keep it long, for she is known to all the showmen in the world, who come from time to time to see if she has anything new.

"She even gets bids from them when the monster is valuable."

My friend was silent. A profound disgust stirred my heart, and a feeling of rage, of regret, to think that I had not strangled this brute when I had the opportunity.

I had forgotten this story, when I saw on the beach of a fashionable resort the other day, an elegant, charming, dainty woman, surrounded by men who paid her respect as well as admiration.

I was walking along the beach, arm in arm with a friend, the resident physician. Ten minutes later, I saw a nursemaid with three children, who were rolling in the sand. A pair of little crutches lay on the ground, and touched my sympathy. I then noticed that these three children were all deformed, humpbacked, or crooked; and hideous.

"Those are the offspring of that charming woman you saw just now," said the doctor.

I was filled with pity for her, as well as for them, and exclaimed: "Oh, the poor mother! How can she ever laugh!"

"Do not pity her, my friend. Pity the poor children," replied the doctor. "This is the consequence of preserving a slender figure up to the last. These little deformities were made by the corset. She knows very well that she is risking her life at this game. But what does she care, as long as he can be beautiful and have admirers!"

And then I recalled that other woman, the peasant, the "Devil," who sold her children, her monsters.

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